A Study in Greene: Graham Greene and the Art of the Novel by Bernard Bergonzi

By Bernard Bergonzi

Bernard Bergonzi has been examining Graham Greene for a few years; he nonetheless possesses the unique variation of The finish of the Affair that he received whilst it was once released in 1951. After quite a bit fresh realization to Greene's lifestyles he believes it's time to go back to his writings; during this serious research Bergonzi makes a detailed exam of the language and constitution of Greene's novels, and strains the obsessive motifs that recur all through his lengthy occupation. such a lot prior feedback used to be written whereas Greene was once nonetheless alive and dealing, and was once to a point provisional, because the ultimate form of his paintings used to be no longer but obvious. during this publication Bergonzi is ready to take a view of Greene's complete profession as a novelist, which prolonged from 1929 to 1988. He believes that Greene's previous paintings used to be his top, combining melodrama, realism, and poetry, with Brighton Rock, released in 1938, an ethical myth that attracts on crime fiction and Jacobean tragedy, because the masterpiece. The novels that Greene released after the Nineteen Fifties have been very expert examples of skilful story-telling yet represented a decline from this excessive point of feat. Bergonzi demanding situations assumptions concerning the nature of Greene's debt to cinema, and makes an attempt to explain the complexities and contradictions of his spiritual principles. even if this e-book engages with questions that come up in educational discussions of Greene, it really is written with normal readers in brain.

Show description

Read or Download A Study in Greene: Graham Greene and the Art of the Novel PDF

Best english literature books

Picturing the Human: The Moral Thought of Iris Murdoch

Iris Murdoch has lengthy been referred to as some of the most deeply insightful and morally passionate novelists of our time. This recognition has frequently eclipsed Murdoch's subtle and influential paintings as a thinker, which has had a wide-ranging effect on thinkers in ethical philosophy in addition to spiritual ethics and political conception.

Literature, Gender and Politics During the English Civil War

During this leading edge research, Diane Purkiss illuminates the position of gender within the English Civil conflict through concentrating on principles of masculinity, instead of at the position of girls, which has hitherto acquired extra recognition. Historians have tended to stress a version of human motion within the Civil struggle in response to the belief of the human self as rational animal.

Britain's Chinese Eye: Literature, Empire, and Aesthetics in Nineteenth-Century Britain

This ebook lines the intimate connections among Britain and China through the 19th century and argues for China's imperative impression at the British visible mind's eye. Chang brings jointly an strange team of basic resources to enquire how nineteenth-century Britons checked out and represented chinese language humans, locations, and issues, and the way, within the method, ethnographic, geographic, and aesthetic representations of China formed British writers' and artists' imaginative and prescient in their personal lives and reviews.

The Cambridge Companion to W. H. Auden (Cambridge Companions to Literature)

Supplying unique views from new amd tested Auden critics and others, this quantity brings jointly especially commissioned essays by means of a number of the world's top specialists at the existence and paintings of W. H. Auden, one of many significant English-speaking poets of the 20th century. The volume's members comprise prize-winning poets, Auden's literary executor and editor, and his most up-to-date, greatly acclaimed biographer.

Additional info for A Study in Greene: Graham Greene and the Art of the Novel

Sample text

But Greene boldly uses such imagery to convey the sensations of characters who have not had such experience. Milly, trying to think about her husband in his prison cell, recalls how close they had been: ‘But now, because she could not imagine his surroundings, could not tell whether he was awake or asleep, communication was barred. ’ This is not how Milly would have thought of things, but Greene makes effective use of the technique of ‘free indirect style’, which enables the author to move in and out of his character’s consciousness.

Parts of Greene’s novels were indeed written in ‘cinematic style’; but then so were novels written well before the cinema was invented. Greene acknowledged as much when he referred to ‘the great filmic scenes of battle and flight’ in Stevenson’s Kidnapped. One can indeed argue that Greene gets his effects from the cinema. ’, the only possible answer is, ‘from the nineteenth-century novel’. The loop runs back to literature. There is much evidence for this, particularly in the writings of the great Russian director Sergei Eisenstein.

Eliot’s, who referred in  to ‘the immense panorama of futility and anarchy which is contemporary history’. Eliot, who had recently published The Waste Land, is discussing Ulysses. Both works influenced Greene. The shifting townscapes in It’s a Battlefield are indebted to Joyce’s novel, while the restless succession of sharp images in which Greene evokes contemporary London recalls The Waste Land. It was a poem he had long admired and regarded as an example of cinematic collage (the title of his third novel, Rumour at Nightfall, alludes to Eliot’s poem).

Download PDF sample

Rated 4.90 of 5 – based on 46 votes