By Nina Catach
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Europe this present day is characterised via getting older populations, altering relatives styles, shedding fertility premiums and mass migration. With the possibly vast ramifications this has for pensions, future health, housing, delivery, kin family, employment and different sectors of society, the recent Generations of Europeans units out to evaluate what it truly is to be a citizen of a becoming european and what vital demographic, social, and fiscal concerns must be confronted via eu choice makers.
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184), one reads in Prise: a phrase which marks a turning-point in the text, quelling the over-emphatic exclamatory mode of the opening lines to make way for a tableau closer to that of Définition, involving a land which is a cryptic double, with effects of half-and-half light, a joy permeating time, and a liquid union with aspects of the natural world: Le miel commence à caresser les écorces. La joie n’est pas de l’an prochain. Elle se fait reconnaître au gris empli et désempli du ciel, sur un pays secret dont celui-ci est la doublure.
18), where the pronoun resembles a blockage of identity, caught in a narcissistic minimalism which gathers in nothing from beyond its frontiers. 25), grappling with the nature of selfgiving and the prickly hybrid which is the moi / autre, has the same symptom showing through the tense stitching of the verse: Toutes mes figures sur les autres Je leur crache à la figure. A poetic line could hardly leave a syllable more isolated, as a oneword question of its own function. 20), the ‘Je’ is iterated and reiterated as its own struggling replica: Je superpose Je renâcle J’attise au discours de l’homme Je détourne J’absente Je croise un visage buté.
It is a word which recurs with an insistent significance. 53). The emphasis is again on the translation of inner space into an expanding ‘outer’ space: a foreign land, like poetry, intricately woven to unscroll as words (or a painter’s strokes) emerge from a mental hinterland into the spreading realm of visible signs. The ‘pays’ of Définition may not be a promised land but more a place of unfulfilled glimmers. 76). 140). It is as if that ‘outspread’ were the rupturing of a cocoon, the cocoon here being the containing bubble of the words ‘Je suis…’, a first sheath left behind as alternative colours begin to flourish.