Palimpsests and the Literary Imagination of Medieval by Raeleen Chai-Elsholz, Leo Carruthers, Tatjana Silec

By Raeleen Chai-Elsholz, Leo Carruthers, Tatjana Silec

Witnesses to the disappearance of a textual content, palimpsest manuscripts undergo the marks in their personal genesis, with their unique inscription rubbed out and written over at the related parchment. This assortment explores analogies of erasure and rewriting saw in editorial and literary practices underlying the construction of texts from medieval England.

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The English version of Leclercq’s classic is The Love of Learning and the Desire for God: A Study of Monastic Culture, trans. Catharine Misrahi (London: SPCK, 1978; New York: Fordham University Press, 1982). 13. Chartier, Inscrire et effacer, p. 7. 14. Bernhard Bischoff, Latin Palaeography: Antiquity and the Middle Ages, trans. Dáibhí Ó Cróinín and David Ganz (Cambridge: Cambridge University Press, 1990), pp. 18–19. 15. Laura Kendrick, Animating the Letter: The Figurative Embodiment of Writing from Late Antiquity to the Renaissance (Columbus: Ohio State University Press, 1999), p.

I thank Anne Laurent from the photographic department of the IRHTOrléans. In a message to me on December 3, 2007, Madame Laurent expressed the skepticism of the IRHT specialists about the possibility of getting better results: “Nous avons essayé de faire ressortir le texte effacé en éclairant la feuille par en dessous mais cela n’a pas été plus concluant que la prise de vue traditionnelle. -P. Despré, “Les applications de la photographie à la lecture des documents effacés (ultra-violet, infra-rouge, transparence),” in L.

107–126 on the Ovide Moralisé as “primary translation”). 39. Fred C. Robinson, “Old English Literature in Its Most Immediate Context,” in Old English Literature in Context, ed. John D. S. Brewer, 1980), p. 28 [11–29]. As is well known, Robinson pleads in favor of taking full account of how/where a manuscript text was placed on the page and within a codex; here, however, his argument is fruitfully applied to consideration of a work within an authorially designed collection, whether in manuscript or edited form.

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