Postcolonial Poetry in English (Oxford Studies in by Rajeev S. Patke

By Rajeev S. Patke

This booklet bargains an introductory survey of up to date poetry in English from all of the areas that experience built into glossy international locations from the previous British Empire. it really is excellent for readers drawn to global writing in English, modern literature, postcolonial writing, cultural experiences, and postmodern culture.

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Extra resources for Postcolonial Poetry in English (Oxford Studies in Postcolonial Literatures)

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Recent poetry is used as a vantage point from which to begin mapping the contours of the large and variegated territory of poetic concerns addressed in Parts II and III. Each volume undertakes a radical revision of the poet’s relation to her own historicity in poems of striking force, precision, and originality. Such writing demonstrates the responsibility undertaken by poets towards the practice of a vocation that is energized rather than disabled by the traumas of a colonial past. 1 English as a ‘foreign anguish’: Nourbese Philip I did not go to Africa looking for my ‘roots’.

The silver bends and shines and in its own Mineral curve an age-old tension Inches towards the light. See how Past and future and the space between The semblance of empire, the promise of nation, Are vanishing in this meditation Between oppression and love’s remembrance Until resistance is their only element. It is What they embody, bound now and always: History frowns on them: yet in its gaze They join their injured hands and make their vows. (2001: 11) The poet contemplates a spoon made by a silversmith.

Rodgers (1909–69, Ireland/England/USA), and his use of the Ulster locution ‘through-otherness’, to evoke the signiWcance of the triple heritage of Irish, Scottish and English traditions that compound and complicate the cultural and political life of contemporary Ulster. For Rodgers, it wasn’t a question of the otherness of any one part of his inheritance, more a recognition of the through-otherness of all of them. (2002: 366) The mixed heritage invoked by Heaney assumes the obsolescence of the native language.

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